Author: Orhan Pamuk

GoodReads Rating: 3.43/5

From a Turkish writer who has been compared with Borges, Nabokov, and DeLillo comes a dazzling novel that is at once a captivating work of historical fiction and a sinuous treatise on the enigma of identity and the relations between East and West.
In the 17th century, a young Italian scholar sailing from Venice to Naples is taken prisoner and delivered to Constantinople. There he falls into the custody of a scholar known as Hoja–“master”–a man who is his exact double. In the years that follow, the slave instructs his master in Western science and technology, from medicine to pyrotechnics. But Hoja wants to know more: why he and his captive are the persons they are and whether, given knowledge of each other’s most intimate secrets, they could actually exchange identities.
Set in a world of magnificent scholarship and terrifying savagery, The White Castle is a colorful and intricately patterned triumph of the imagination.

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Author: Orhan Pamuk

GoodReads Rating: 3.54/5

A parable about love, literature and fanaticism. A young university student becomes obsessed with a magical book that delves into the dangerous natures of love and self. Abandoning his studies and his family, he goes with the beautiful Janan on a search for the meaning of the book’s darker secrets.

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Author: Orhan Pamuk

GoodReads Rating: 3.91/5

What happens within us when we read a novel? And how does a novel create its unique effects, so distinct from those of a painting, a film, or a poem? In this inspired, thoughtful, deeply personal book, Orhan Pamuk takes us into the worlds of the writer and the reader, revealing their intimate connections.
Pamuk draws on Friedrich Schiller’s famous distinction between naive poets who write spontaneously, serenely, unselfconsciously and sentimental poets: those who are reflective, emotional, questioning, and alive to the artifice of the written word. Harking back to the beloved novels of his youth and ranging through the work of such writers as Tolstoy, Dostoevsky, Stendhal, Flaubert, Proust, Mann, and Naipaul, he explores the oscillation between the naive and the reflective, and the search for an equilibrium, that lie at the center of the novelist’s craft. He ponders the novel’s visual and sensual power, its ability to conjure landscapes so vivid they can make the here-and-now fade away. In the course of this exploration, he considers the elements of character, plot, time, and setting that compose the sweet illusion of the fictional world.
Anyone who has known the pleasure of becoming immersed in a novel will enjoy, and learn from, this perceptive book by one of the modern masters of the art.

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Author: Orhan Pamuk

GoodReads Rating: 4.15/5

The culmination of decades of omnivorous collecting, Orhan Pamuk’s Museum of Innocence in Istanbul uses his novel of lost love, The Museum of Innocence, as a departure point to explore the city of his youth. In The Innocence of Objects, Pamuk’s catalog of this remarkable museum, he writes about things that matter deeply to him: the psychology of the collector, the proper role of the museum, the photography of old Istanbul (illustrated with Pamuk’s superb collection of haunting photographs and movie stills), and of course the customs and traditions of his beloved city. The book’s imagery is equally evocative, ranging from the ephemera of everyday life to the superb photographs of Turkish photographer Ara Güler. Combining compelling art and writing, The Innocence of Objects is an original work of art and literature.
Praise for The Innocence of Objects:

“[A] most audacious and provocative take on the history of Turkish culture and politics by Turkey’s best-known dissenter.” —Publishers Weekly
“Orhan Pamuk’s The Innocence of Objects makes me want to stand up and shout! It is a triumph of intimacy over sterility, depth over superficiality, and humanity over inhumanity. It is also the most perfect intersection of art and literature that I have ever encountered.” —The Huffington Post
“I bought the Turkish edition of The Innocence of Objects, a richly illustrated book about the museum, and have been waiting for Abrams’ English translation. It’s just come out, and Pamuk’s text about the project is as illuminating as it promised to be.” – The Design Observer
“—Pamuk’s tour de force and mind-benderabout museums, art, artifice, and the place of fiction and the writer in theworld—is a nonfiction narrative unlike most you will encounter.” —
“[A] squarish volume, filled with gorgeous photographs of the museum’s interior. . . . The exhibition photos are accompanied by Pamuk’s lively, sometimes dazzling commentary, which ranges freely from personal anecdotes to meditations on aesthetics to whimsical ‘memories’ of his fictional protagonist. . . .” —The American Reader
“The Innocence of Objects—Pamuk’s tour de force and mind-bender about museums, art, artifice, and the place of fiction and the writer in the world—is a nonfiction narrative unlike most you will encounter.” —Virginian Pilot

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Author: Orhan Pamuk

GoodReads Rating: 3.89/5
Galip is a lawyer living in Istanbul. His wife, the detective novel–loving Ruya, has disappeared. Could she have left him for her ex-husband or Celâl, a popular newspaper columnist? But Celâl, too, seems to have vanished. As Galip investigates, he finds himself assuming the enviable Celâl’s identity, wearing his clothes, answering his phone calls, even writing his columns. Galip pursues every conceivable clue, but the nature of the mystery keeps changing, and when he receives a death threat, he begins to fear the worst.
With its cascade of beguiling stories about Istanbul, The Black Book is a brilliantly unconventional mystery, and a provocative meditation on identity. For Turkish literary readers it is the cherished cult novel in which Orhan Pamuk found his original voice, but it has largely been neglected by English-language readers. Now, in Maureen Freely’s beautiful new translation, they, too, may encounter all its riches.

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Author: Orhan Pamuk

GoodReads Rating: 3.69/5

Each summer three siblings come reluctantly to visit their bitter old grandmother, in her dreary seaside home. Faruk, the eldest is alcoholic, recently divorced and adrift. Metin, the youngest is full of hunger, dreaming of escaping his family and studying in America. And in between them is their sister, Nilgün, a fiery youngs revolutionary, hurtling towards womanhood. Over the week, the family face first love, old ghosts and childhood memories. Watching them is the dwarf Recep, the housekeeper, who has stories of his own. Haunting, tender and acutely observed, Silent House is was published to great acclaim in Turkey in 1983 and remains one of Pamuk’s most popular works in the country. It was the author’s second novel and available in English for the first time.

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Author: Orhan Pamuk

GoodReads Rating: 3.92/5

In the three decades that Nobel prize-winning author Orhan Pamuk has devoted himself to writing fiction, he has also produced scores of witty, moving, and provocative essays and articles. He engages the work of Nabokov, Kundera, Rushdie, and Vargas Llosa, among others, and he discusses his own books and writing process. We also learn how he lives, as he recounts his successful struggle to quit smoking, describes his relationship with his daughter, and reflects on the controversy he has attracted in recent years. Here is a thoughtful compilation of a brilliant novelist’s best nonfiction, offering different perspectives on his lifelong obsessions with loneliness, contentment, and the books and cities that have shaped his experience.

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Author: Orhan Pamuk

GoodReads Rating: 4.07/5

A Strangeness In My Mind is a novel Orhan Pamuk has worked on for six years. It is the story of boza seller Mevlut, the woman to whom he wrote three years’ worth of love letters, and their life in Istanbul.
In the four decades between 1969 and 2012, Mevlut works a number of different jobs on the streets of Istanbul, from selling yoghurt and cooked rice, to guarding a car park. He observes many different kinds of people thronging the streets, he watches most of the city get demolished and re-built, and he sees migrants from Anatolia making a fortune; at the same time, he witnesses all of the transformative moments, political clashes, and military coups that shape the country. He always wonders what it is that separates him from everyone else – the source of that strangeness in his mind. But he never stops selling boza during winter evenings and trying to understand who his beloved really is.
What matters more in love: what we wish for, or what our fate has in store? Do our choices dictate whether we will be happy or not, or are these things determined by forces beyond our control?
A Strangeness In My Mind tries to answer these questions while portraying the tensions between urban life and family life, and the fury and helplessness of women inside their homes.

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